The MAC Stat also offers 15 advanced statistical computing stations, providing support for students engaged with projects, homework, and other statistical work on campus. Their school of science gave me direct admittance. IUPUI Technology Create My First IUPUI Account All newly admitted students must create a university technology account (you may also hear 'university username and passphrase') in order to apply for housing, gain access to university email, computer labs, online services (including financial account and course registration), and more. I still have to hear if I am in their BS/MD program but i think i have a good shot of getting into it. The MAC Stat, located in University Library, is dedicated to the peer-to-peer tutoring and mentoring of all statistics and statistics-related courses at IUPUI. At IUPUI I have a scholarship which pays for 4 years of tuition, books, fees, 2 years of housing, 2500 for study abroad, and 5000 a year if i end up going to Indiana university medical school. The MAC, located in Taylor Hall, promotes the student-driven collaboration around the mathematical concepts and curriculum at the tertiary level. The range of content services starts at the gateway course level and extends through differential equations, as well as linear algebra courses and theoretical statistics courses. The MAC and MAC Stat are each open 60+ hours during the week, including 10 hours of weekend support. The MAC is an interactive, academic space dedicated through peer-to-peer interactions (tutoring and mentoring) extending or reinforcing the mathematical learning of undergraduate students enrolled in mathematics courses at IUPUI. from Northwestern University.The MAC as a learning center offers services at two centralized locations on IUPUI’s campus. Osili received her bachelor’s degree in economics from Harvard University and her master’s and Ph.D. She has been an associate editor for the Journal of African Economies and guest editor of the Journal of African Development. Osili has served as a member of several national and international advisory groups, including the African Development Bank, Social Science Research Council, the United Nations Economic Commission for Africa and the United Nations Development Program. The NonProfit Times named her to its list of the 50 most influential people in the nonprofit sector in 2019, 2020, and 2021. She is frequently quoted by international and national news media outlets such as NPR, The New York Times, Financial Times, The Wall Street Journal, The Chronicle of Philanthropy, and many others. She speaks across the globe on issues related to national and international trends in economics and philanthropy. Osili is the founder of Generosity for Life, a digital platform that provides new data tools in the area of philanthropy and social impact.Īn internationally recognized expert on philanthropy, economics and international development, Osili recently testified before the Joint Economic Committee of the United States Congress on supporting charitable giving during the COVID-19 crisis, as well as before a subcommittee of the U.S. She holds the Efroymson Chair in Philanthropy and she serves as the associate dean for research and international programs and Dean’s Fellow for the Mays Family Institute on Diverse Philanthropy at Indiana University Lilly Family School of Philanthropy, the world’s first school on philanthropy.Īt the school she leads the research and publication of the Global Philanthropy Environment Index and the Global Philanthropy Tracker, as well as the research and publication of Giving USA, the annual report on American philanthropy published by Giving USA Foundation. Una Osili has more than two decades of experience in leadership, economic policy and research across the public and private sectors. Please contact to request the document you wish to see. It packs in all the fantastic features of the Deluxe version and limits only the number of apps that can be tracked. The IUPUI Graduate Office will make forms or documents available to those who cannot access them via this website. AppTracker Deluxe 1.1 is only 0.99 USD (or equivalent amount in other currencies) and available worldwide exclusively through the App Store in the Utilities category. Mays Family Institute on Diverse PhilanthropyĪ global expert on philanthropy and social innovation, Dr. The Graduate Non-Degree Program offers students the opportunity to take regular graduate-level courses in many fields.
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The user interface of the tool is darker than many other similar, but it is pleasing to the eye and has some unique features. The app supports image format association, image format conversion, and streamlined export options. The entire installation procedure is easy and fast, and after the app is deployed on your home or work desktop/laptop you can instantly start working on editing your images. Topaz Studio is distributed online via a small internet-enabled package that will download the majority of the app after you start the installation procedure. In addition to the standalone purchase, TopazLabs also offers a unique offer for Creator Bundle, which bundles several of its most popular apps for a lower price. However, you can also test it for free via Trial download. Topaz Studio is a premium app for which you will need to purchase a one-time lifetime license. This means that the tool has built-in support of not only full versions of their famous AI Gigapixel and Sharpen AI tools that can dramatically upscale your small photos without data loss and denoise your blurry pictures, but also many other tools such as Mask AI, Adjust AI, Denoise AI, and others. The app also takes full advantage of other powerful AI and machine learning tools produced by developers at TopazLabs. The app features hundreds of one-click effects, powerful masking and blending tools, automatic lens correction, free adjustment tools, and much more. The creative toolbox of the software is accompanied by the streamlined user interface that features the fast discovery of editing tools, easy access to numerous filters, and easy management of image layers. In addition to being distributed as a standalone photo editing app, the app can also be installed as a plugin for other host applications such as Lightroom, Photoshop, Affinity Photo, and others. If your workload is already focused on some other photo editing app, Topaz Studio for macOS can still help you there. It can manage everything from simple image format conversion to the full-blown photo editing and compositing that is required in professional workloads. With built-in support for modern filters, powerful selection and masking interface, and support for fully non-destructive layers for advanced mixing and matching of filters and adjustments, Topaz Studio can be utilized as the only photo editing app on your home or work Mac. Topaz Studio for Mac is a fully-featured photo editing software aimed to provide both novices and professionals with cutting-edge tools for total image manipulation. His first few teams and seasons in the NA LCS were rocky ones. Park's ascent from semi-normal high schooler to professional gaming star wasn't a rapid one. So I thought it'd be a good idea, and my parents supported me." "But I only got accepted into my backup schools so I, 'I guess I'll try out and see how it goes.' Anyway, school was taking its toll on me, so I might as well take some time off and explore because - I did some research - people who take time off go back to college and have a really refreshed mindset and don't get burnt out. "It probably would have been a lot tougher of a decision between playing in LCS and going to college right away if I'd gotten in anywhere I really wanted to go," Park said. Immortals went 17-1 during the 2016 North American League Championship Series Spring Split, but was unable to adapt to the meta in time for the playoffs. He was only held back from being at the top of his class due to the endless hours spent in League of Legends. In terms of the schoolwork, Park had little to no issues passing through his school curriculum and doing well on his SAT scores. Luckily for Park, most people at his self-described "pretty nerdy school" didn't make a big deal about it and thought it was cool he was a mini-celebrity in the world of competitive gaming. " didn't like it when random people would come up to me at school and go, 'Yo, you're Pobelter,' because I didn't that. "I just tried to keep it pretty low-key," he told me when I asked how he dealt with being a popular face in the League community since his early days of high school. Since starting as one of the first people to test the game in the closed beta, Park has gone from an unknown playing in his childhood bedroom to playing in front of thousands on the North American League Championship Series stage. The adolescent Park turned to a game considered to be a tweaked version of the same genre. I played Dota, and I thought Dota was pretty fun, but at the same time, I was playing on 300 ping and people were flaming me in Turkish Portuguese, so I ended up hearing about this so-called Dota clone called League of Legends entering closed beta."Īnd that's how one of the best North American mid laners of all time came to be. I downloaded it illegally - sorry Blizzard - and I played on this bootleg European private server because I didn't have the legit CD key. "As a 13-year-old with no money whose parents didn't want him to be playing video games all the time, I couldn't afford to buy games, so I ended up starting WarCraft III somehow. "I spent most of my time playing WarCraft III and MapleStory in middle school," Park said. From there, he moved onto playing PlayStation games like Frogger before eventually turning to educational games on the computer that started his love for PC gaming. He started out playing on the Nintendo 64 when he was around the age of 5 until his mother accidentally cleaned out the system incorrectly and broke it. Like many pro-gamers, Park's fascination with video games began at an early age. really up the skill allocation on my main character Pobelt. Anyway, my new account name was Pobelt because I thought it sounded cool, and that eventually became Pobelter when I played MapleStory. "But that got banned because me and my sister would play on the same computer, and I think they thought we were account sharing. "Actually, my first ID was like Pipsqueak7," he admitted. Now, probably a decade later, our colorful creatures probably live in electronic purgatory, wondering what had happened to their handlers. Although I'm a bit older than the 19-year-old starting mid laner for Immortals, I'd also taken part in the online pet community during my youth. You can shoot gang members with simple 9s or run them over in a car (accompanied by a funny squish sound), or toss a grenade at their feet, and watch them split apart at the seams, transforming into a puddle of blood. Grand Theft Auto III is about knocking people off, it's a game about criminals and the things they do. It's not for people who like a little poofy dragon chase or a double butt-bump for shiny coins. Let's get one thing straight: This game is not for the weak. Questionable Content? Maybe For Your Grandma. Having taken advantage of PS2's new technology to expand and develop their vision, the makers of Grand Theft Auto III have created a complete videogame experience like few, if any, before it. What makes Grand Theft Auto III so much different and so brilliant in this third iteration is that while, with its huge scale, we might find familiar gameplay elements, the whole thing, the monstrous size and scope of the game, delivers something more than just the actual value of its parts. The game is riddled with a breadth of goodies starting with the Mafioso rags-to-riches story, high-quality music, telling cut-scenes, and not ending with its giant, bristling, extraordinarily complex landscape. In it, gamers have the chance to get dirty, to play the role of an ambitious, low-life criminal. In Rockstar's fourth effort on PlayStation 2 (Midnight Club, Smuggler's Run, Oni), Grand Theft Auto III truly incorporates everything that its creators have strived for in a "proper game" since Take-Two created the upstart game division in 1998. Continued abuse of our services will cause your IP address to be blocked indefinitely.Apparently, enough gameplayers and gamemakers have grown up to want something more in their games, and in the last four years videogames have grown. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior.
The energy of the alpha particle is larger than for beta and gamma decay processes, and is usually of the order of four million electronvolts (MeV).Īn example of alpha decay is the historically important transformation of radium 226 into radon 222 through the emission of an alpha particle. Much like in artillery fire, where the shell absorbs much of the energy of the explosion, the alpha particle takes away about 98% of the energy and the original nucleus (like the recoil of a cannon firing) gets the rest. IN2P3The energy released in alpha decay takes the form of kinetic energy shared between the released alpha particle and the nucleus that expelled it. These alpha particles are always emitted with the same energy values. In the case of a radium nucleus, the alpha particle takes away 98.3% of the available energy. The respective speeds and energies are inversely proportional to the masses, and as a result are highly unequal. The momenta (products of mass times velocity) of the recoiling nucleus and the alpha particle are exactly equal. The kinematic of an alpha decay are quite similar to those of a firearm where a light bullet takes away most of the energy of the explosion. It turns out that expelling two protons and two neutrons in this manner is more energy efficient than expelling the four particles individually.Īnalogy with the recoil experienced by a firearm: These unstable nuclei emit a light helium nucleus in order to reduce their mass and hence increase their stability. The emission of alpha particles is a property of the heaviest nuclei, such as uranium 238 with its 92 protons and 136 neutrons the heaviest natural nucleus observed. Later it was found, after the neutron’s, discovery that the helium nucleus consists of 2 protons and 2 neutrons. The direction of curvature revealed that it had to be carried by particles carrying positive electrical charge, and in 1908 Ernest Rutherford was able to identify these ‘alpha particles’ as helium nuclei, with a resulting electric charge of +2e. The process is very slow : on average, it is necessary to wait 2300 years for the disintegration.Īlpha (α) radiation was first observed as an unknown type of ray that curved in the presence of electric and magnetic fields. The alpha particle carries the 222/226ths of this available energy and the radon 4/226ths. The disintegration releases 4.6 million electronvolts of energy. The radium nucleus turns into radon-222 nucleus, itself radioactive, containing two protons and two neutrons less. It decays by emitting an alpha particle composed of two protons and two neutrons. Example of the historical decay of radium-226Ī radium nucleus is a massive nucleus of 226 nucleons, including 88 protons and 138 neutrons. CCL’s credit spreads have continued to underperform since this latest credit rating downgrade. Pendal’s investment case was further reinforced in March 2018 after CCL was downgraded from BBB+ to BBB by Fitch, reflecting continued deterioration in the performance of the company’s Australian business due to structural challenges (falling demand for carbonated soft drinks) and increased competition in still beverages. In April 2017, the soft drink bottler issued a profit warning based on volume and price pressures as its core high-sugar products have struggled with dwindling demand. Market implicationsĪs can be seen from the chart below, CCL credit spreads underperformed against similar consumer sector peers in 2017 and into 2018 as social trends changed and competition intensified (see figure below). The third-party ESG data providers conduct in-depth analysis of issuers’ (CCL in this example) non-financial characteristics and risks using their independent ESG research. In this case, CCL’s poor ESG rating excluded the issuer from the investable universe of Pendal’s dedicated sustainability strategies even before the bottom-up credit selection process outlined above was applied.īoth the credit selection process (applied across all of Pendal’s income and fixed interest funds) and the dedicated sustainability screening process incorporate internal and external sources of ESG information. Issuers with ESG scores that do not meet the quality threshold are excluded from the fund’s investable universe. For these strategies, each credit issuer is rated on a comprehensive set of ESG categories. This broadened research approach promotes a more dynamic process with greater awareness of market conditions.Īnother avenue through which ESG factors are incorporated is through explicit sustainability (best of sector) and ethical screens that are applied across Pendal’s dedicated sustainability fixed income funds. Pendal’s issuer research is significantly enhanced through collaboration with its equity teams to obtain insights from their investment analysis and direct company engagements, as well as discussions with Pendal’s head of responsible investments regarding ESG issues that are deemed material to the issuer being reviewed. Pendal’s credit selection framework is based on an integrated credit research approach that includes considering its equity team’s research as well as internal and external ESG research. Valuation factors (such as relative value, technical and covenants strength).ĮSG factors are typically captured in the business profile and risk factors categories. Risk factors (including regulation and funding sources) andĤ. Financial profile (such as cash flow metrics and debt maturity schedules) ģ. Business profile (such as competitive position and quality of management) Ģ. In particular, the credit selection framework focuses on four categories:ġ. Pendal’s credit analysis process incorporates fundamental issuer analysis and proprietary quantitative modelling to assess investment opportunities. From a financial perspective, CCL’s credit spreads have been tight and, in Pendal’s view, have not factored in social risks relative to similarly rated issuers. There are also regulatory risks surrounding potential imposition of sugar taxes in key markets. Pendal’s position on the company reflects its view that the social risks around high sugar and its links to diabetes and obesity have not been priced in to the issuer’s credit spread and hence Pendal expected CCL’s credit spreads to underperform over time. ESG factor which drove in the investment decision Pendal has held an underweight position in CCL across its Australian fixed income funds for a number of years, given these concerns. For many years, Pendal Group Limited (Pendal) has held concerns regarding headwinds from structural shifts in consumer demand for healthier options and regulatory risks relating to sugar consumption and their associated impacts on corporate profitability. The majority of its products are non-alcoholic and high in sugar. George Bishay, Portfolio Manager, Pendal Group Limited (formerly BT Investment Management)Įxample of how S factors affect credit risk assessmentĬoca Cola Amatil (CCL) is one of Asia-Pacific’s largest bottlers and distributors of alcoholic and non-alcoholic beverages. Private retirement systems and sustainability.UN-convened Net-Zero Asset Owner Alliance.Environmental, social and governance issues.Strategy, policy and strategic asset allocation.Collaborative stewardship initiative on social issues and human rights.An introduction to responsible investment.PRI China Conference: Investing for Net-Zero and SDGs.What are the Principles for Responsible Investment?. 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You highlighted aspects of colour between the applications which was quite interesting. Any issue's that are there, I'm confident in Presonus fixing within one or two months once reported, many of which I don't encounter or knew existed. Studio One 2 & 3 on the other hand is very stable for my needs, crashing is very rare as I test and use the things I know that work before any big projects. I barely used it as I found version 8 LE that came with my Focusrite interface's pretty crash prone. It's been a few years since I last opened up Abelton Live, I don't recall it having a step time note recording feature. and it's key attribute of being more trigger based. A latter aspect which is probably more common with users of Abelton if it's their first ever daw. Studio One's implementation is quite basic but it can be workable, particularly if you like to program notes or not a great keyboardist. For example, step mode sequencing one note at a time, rather than being forced into recording live all the time like some other daws like Reason for instance does whilst using the main transport bar. Well, it's a somewhat unusual comparison to make as Abeltons approach is kinda skewed in a different direction from a practical music creation stand point from how Studio One's approach naturally is, but given how flexible Studio One is, it does spread it's wings a little in different directions to accommodate for different user production styles they are use to. they'd reflexively defend themselves at the wrong time and wrong place because their plugin delay compensation is so bad. If Ableton were a person, in their first day of prison and somebody tried to shank them. I feel warm, self-righteous and indignant towards anything that isn't me. Now I've never mentally masturbated to why I like studio one, but now I get why Apple users are the way they are. I thank Ableton for being my first DAW, but whenever I've got an Ableton friend in the studio and I'm helping them work within Ableton it's a massive slowdown in my workflow.Īudio Sample Management is simply more robust, and creatively intuitive in S1. Yes the blood of sacrifice and DAW Revolution. Completely annihilates Ableton at the altar.blood just everywhere. That delay you configured 2 sessions ago? Now its out of time.Again.Īrrangement in Studio One is lightyears ahead in terms of sample manipulation, midi bouncing, audio bouncing, cutting etc. Compressed that drum? Prepare for it to get phasey. Like anybody else I've got my reasons for switching, and just off the top of my head:Ībleton's Dirty little secret: Plugin Delay Compensation - It's nonexistant with External Plugins. That's like a F%cked up version of the I never graduated from school dream. One time I did have a nightmare I was back in Ableton re-encountering all it's limitations and realizing I hadn't yet learned Studio one. I myself switched from Ableton, and I haven't regretted it ever. Welcome over, It's been a while since I met another converted Ableton user. |
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